Amor Vincit Omnia
2026
Caravaggio painted his Amor Vincit Omnia for a Cardinal who kept it behind a curtain, shown only to select visitors. The beautiful, knowing boy — modelled on the painter's young companion — was coded desire given sacred form, hidden in plain sight. Three centuries later, Bob Mizer was doing the same thing in a Hollywood studio: photographs of young men circulating quietly among those who knew how to read them.
The model is Richard DuBois, photographed by Mizer in the 1950s. The pose was already reaching beyond the frame — one finger raised, body in the arrested moment before flight. The embroidered wings complete what the photograph began: cells of thread worked in deep blues, greens, and warm bronzes, semi-abstract in execution, closer to stained glass than illustration. They give a body already coded with desire the iconography that was historically used to exclude or condemn him.
Love conquers all. It always found form — in the Cardinal's curtained painting, in the plain brown envelope, in the stitch.
The model is Richard DuBois, photographed by Bob Mizer for the Athletic Model Guild in the 1950s.
Caravaggio painted his Amor Vincit Omnia for a Cardinal who kept it behind a curtain, shown only to select visitors. The beautiful, knowing boy — modelled on the painter's young companion — was coded desire given sacred form, hidden in plain sight. Three centuries later, Bob Mizer was doing the same thing in a Hollywood studio: photographs of young men circulating quietly among those who knew how to read them.
The model is Richard DuBois, photographed by Mizer in the 1950s. The pose was already reaching beyond the frame — one finger raised, body in the arrested moment before flight. The embroidered wings complete what the photograph began: cells of thread worked in deep blues, greens, and warm bronzes, semi-abstract in execution, closer to stained glass than illustration. They give a body already coded with desire the iconography that was historically used to exclude or condemn him.
Love conquers all. It always found form — in the Cardinal's curtained painting, in the plain brown envelope, in the stitch.
The model is Richard DuBois, photographed by Bob Mizer for the Athletic Model Guild in the 1950s.
$795 CAD
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Amor Vincit Omnia is 6 x 8 inches (15.24 × 20.32 cm). The vintage photograph is transferred to a tight weave cotton and embroidered with cotton thread. The image is mounted on art board and floated on a mat board and behind glass.
The black wood frame is 11" x 14" (approximately 30 cm x 36 cm). The piece is ready to hang with D-rings and wire on the back. A hook and nail is included.
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Visa, MasterCard, American Express, Apple Pay, Google Pay, Klarna, Afterpay, Link, and other options are available.
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Shipping is included in the price of each piece. Works are carefully packaged and shipped via courier with tracking. All pieces ship from Vancouver, Canada. Delivery times vary by destination.
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International buyers may be subject to import duties, taxes, or customs fees. These are determined by your country's regulations and collected by the carrier on delivery. The Queer Thread does not collect or remit these charges.
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Each piece is framed and ready to hang. The length of the hanging wire can easily be adjusted. A hook and nail is included.
The glass and frame can be cleaned with a cloth dampened with clean, soapy water or glass cleaner solution.
Display your artwork away from direct sunlight and heat sources.
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A Certificate of Authenticity is provided with each piece.
The vintage images are sourced from online archives, collectors, and dealers. I credit photographers, studios, and models whenever the record allows.
Queer art has a long history of appropriation, largely because overt self-expression was not possible for gay people. Appropriation allowed artists to code messages in their work and, in many cases, pay tribute to those who came before them — artists who were unable to fully express themselves openly.
My work continues this tradition. It is grounded in the work of pioneer photographers and models; to these images I add new expressions of meaning that comment on the history of queer culture and people.
The source photographs are black and white. I apply a digital colourization before the image is transferred to cotton — not to modernize it, but because the contrast of black and white against coloured embroidery thread is too stark. The colourization is deliberately unrefined; I want the image to retain its age. Beyond this, I make no alterations to the photograph.
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All sales are final. In the unlikely event your piece arrives damaged, please photograph the packaging and artwork immediately upon receipt and contact me within 48 hours. I will work with you to find a resolution.
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