THE KISS

Nothing is known about this photograph — not who these men were, where they stood, or when the image was taken. Everything surrounding the moment has been lost to history.

Early photography demanded absolute stillness, yet the image is blurred, suggesting spontaneity and haste. Perhaps the couple knew they had only a fleeting moment before returning to the concealment demanded by a world that named such love a crime.

But someone else was there: an anonymous third person, holding the camera, choosing to preserve this moment. That the photograph survived at all — hidden, privately held — was its own kind of defiance.

The embroidery borrows its visual language from Gustav Klimt's Portrait of Adele Bloch-Bauer I: the square motifs, subtle curved lines, and gold ornamentation. These elements wrap around the couple, creating a sanctuary around their intimacy. Here, they are honoured.

$795 CAD

Suspended
$795.00

The pomegranate has carried transgression across millennia. In the Greek myth, Persephone eats pomegranate seeds and is condemned to live between two worlds, earth and the underworld, belonging fully to neither. Across cultures and centuries, the fruit recurs weighted with the same: desire and its cost.

This man was photographed by Cavalier studio, circa 1955. He is otherwise unnamed. In that decade, desire like his was criminal. Many gay men lived as he did — publicly performing lives that society dictated, privately inhabiting lives they could not name. Always moving between worlds. Always being pushed back.

The pomegranate above him is overripe. It has long been suspended. The release from that divided life would take decades more.

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